Mad, Fad, Ad-World
RAJBIR DESWAL
They
add ‘mad’ to the art of advertising, only because it rhymes well with ‘Ad’. Otherwise, ask the people in the business of
advertising as to how much of creativity and thought process goes into the
making of an Ad. If I have to rhyme in
continuation of even the argument, then I will rephrase it as ‘Mad, Fad, Ad-World’,
for it’s only for the fads that we get sucked into while going in for a certain
thing, besides of course the things that are enormously and eminently in the line
of Maslow’s Pyramid of Basic Needs.
Advertising
through whatever means of communication was then available, we would see only
Lifebouy, Glycodin, Saridon and Anacin Ads. With the going on air of Vividh Bharti, the
All India Radio started blurbing it all with jingles with a tickling and
tinkling tone marking the pauses in many ads.
But
before this, I recall a jingle on Radio Ceylon which tolled like a ting-tong to
announce ‘Loma time’ – a watch popular in those days besides Henri Sandoz,
Favre-Leuba, Romar and Titus.
Then
there were other conventional methods of advertising, on the roads and street-walls,
largely of the film posters. Rickshaws,
decked up with painted sack cloth and with film posters were also seen in those
days with a dhol-drummer and a professional rattle-tattle man, in the lead.
The Ad-Man sitting in a rickshaw, with a microphone covered with a cloth held in both hands, and
using a public address horn on the rickshaw’s handle, would proclaim as if in a
refrain, the clichéd announcement—“Once again on great public demand ! KVM’s
Meharbaan! In Eastman colour! New copy guaranteed! On reduced rates! In your
own Raj Talkies!” And then a popular number would be played on the black
HMV disc of which the stylus kept jumping to repeat certain parts of the
musical composition. This was a common sight in those days.
Small
time entrepreneurs employed pamphlets announcing ‘Khul gaya! Khul gaya’ if it was a show room. The blow-horn
advertising of Beedi No. 22 still
reverberates in my ears.
The
more enterprising advertisers like Red & White Cigarette Company had one
woman with a ten times bigger, egg shaped red shell on her head, walking in front
of a line-up of four men wearing extra large pants, on their stilts, was also a
common sight in Moufassal towns. The
stencil impressions on the walls was yet another mode of advertising,
particularly during the elections.
During
my visit to Victoria in Canada , I came across a very interesting
advertising technique, Approaching the Capital
City of British Columbia ,
we read on a huge bill-board, an inscription on “Mention this board when you
check-in at our hotel for a discount.”
When we did so on reaching that particular hotel, and mentioned the
board that we had seen, we were given straightaway twenty-five percent discount. What a way to not only proclaiming alluring-advertising
but to measure and square up the effect of it instantaneously, at your customer
counter!
Advertising
has really traveled through what was less but really more; and now, enough but
actually so very less!
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